Until recently Super 16 was an affordable way to shoot film, with digital being an affordable way to shoot Super 35, but with the advent of digital S16 old artistic possibilities re-present themselves.
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Thoughts on Large Format Cinematography
“Just for Today” was shot, and aired, using the full frame 3:2 aspect ratio of the VENICE with the TS70(HS) lenses by WHITEPOINT OPTICS. Here's why.
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