'BABONG' - Re-Searching the Form in an Evolving Project

April 28, 2020 in Choosing Formats

How this indie film by Dikla Sachs became a playground for experimenting with multiple formats.

Thoughts on Large Format Cinematography

March 16, 2020 in Choosing Formats

“Just for Today” was shot, and aired, using the full frame 3:2 aspect ratio of the VENICE with the TS70(HS) lenses by WHITEPOINT OPTICS. Here's why.

CASE STUDIES

Every now and then I’ll share thoughts, scene breakdowns and practices.

Feel free to use it as a source of information and to start a conversation in the comments section.

Featured

Sep 23, 2020

The Cook’s Look - Part 1: Breaking the 4K Spell

Sep 23, 2020

Until recently Super 16 was an affordable way to shoot film, with digital being an affordable way to shoot Super 35, but with the advent of digital S16 old artistic possibilities re-present themselves.

Sep 23, 2020

Apr 28, 2020

'BABONG' - Re-Searching the Form in an Evolving Project

Apr 28, 2020

How this indie film by Dikla Sachs became a playground for experimenting with multiple formats.

Apr 28, 2020

Mar 16, 2020

Thoughts on Large Format Cinematography

Mar 16, 2020

“Just for Today” was shot, and aired, using the full frame 3:2 aspect ratio of the VENICE with the TS70(HS) lenses by WHITEPOINT OPTICS. Here's why.

Mar 16, 2020